ACTOR-OWN Musical Theater Collective
"They always say
time changes things, but you actually have to change them yourself." -
Andy Warhol
If you have been cast in our
Next Reading,
reserve your slot by clicking "Buy Now"
What is
"ACTOR-OWN" Musicals?:
ACTOR-OWN Musical Theater Collective
is a monthly series of private readings, where a group of singers
"collect" in a rehearsal studio to read/sing through
a popular musical.
(Think of it like actors who gather in a living room to read
a play, only a tad more robust.) With the climate as it is (too
many actors, not enough work), we are
attempting to simulate the actors' path, wherein a) the actor
is cast in a show, b) the actor familiarizes him/herself with the
material and c) the actor comes prepared to the first rehearsal
to share his/her work with the full company.
Purpose:
We, as actors, need to
own our careers - one of the best ways to do this is to get back
to what makes it so much
fun to
begin with -- performing! And what better way than to choose
shows that we've been dying to do?
The purpose of this reading
series is NOT to perform for an audience or to invite industry
-- rather,
the purpose is to recreate
the joy of intimately getting to know musical material, and
to share the work with
other committed artists in a supportive, workshop environment.
The emphasis
is on the craft of acting, and creating a community of actors
who love challenging themselves.
Who Should Join ACTOR-OWN?:
This series is not only perfect
for polished singers who are interested in exercising & stretching
their muscles, but also for intermediate level singers who
want to
sharpen their skills, as well as dancers and "straight" actors
who have always wanted to give musicals a try. Not only do you
experience the joy of learning new material, but you are also
joining a community of like minded artists who are interested
in putting the "Play" back into theater.
Location/Dates:
We do one
reading per month. The readings take place at a studio
in midtown, and normally happen on Monday afternoons.
Preparation:
There are no group rehearsals. Actors
will study their roles as though they've been cast in a full
production. They'll
familiarize themselves
with
the music (be it solo or ensemble materials) and go over
the script, making strong choices about the direction in
which
they'd
take
their character.
Some
actors choose to hire an accompanist to go over the parts,
some choose to show up using their own preparation.
Materials:
Digital scores and librettos
will be provided when available, which actors can choose to print,
memorize, or bring on laptops/electronic
devices.
MP3s may also be available for those who
do not have access to the cast albums.
Casting:
I cast all roles
with people that I know and love. When choosing a show, I
fill all principal roles first, and then double up on smaller
roles and
ensemble parts.
My intention is to give everyone something fun and
challenging to do, even if the role is not large. Wonderfully,
less experienced performers
will get
the experience of working alongside seasoned performers
who bring polish and professionalism to the roles
they tackle.
Leading roles are shared
amongst the company, as are supporting/ensemble roles. One
month someone may star in a reading, and the next month they
may
read stage
directions
or turn
pages for the accompanist. We cast actors who are interested
in the ensemble experience -- as opposed to those who are
simply looking to star in a reading. There is, of course,
nothing wrong with that, but that's not what ACTOR-OWN Musicals
is
all about.
Past readings have included:
INTO THE WOODS / SHE LOVES ME / THOROUGHLY
MODERN MILLIE / EVITA / COMPANY / GUYS
AND DOLLS / CHESS / CAMELOT / WICKED
/ RENT / LEGALLY BLONDE /
CABARET / THE
MOST HAPPY FELLA / JEKYLL & HYDE / A
CHORUS LINE /
Cost to Participate:
Each actor
contributes $20 per reading, payable upon casting (by credit/debit
card.) This fees
goes toward renting
the studio space and paying the accompanist, and
leftover money is used on refreshments (wine & snacks.) If
you need to make a payment, please
click here.
SEEKING
SUBMISSIONS -- INTERESTED
IN BEING A PART OF IT?
We are currently seeking actors for future projects.
As mentioned, I hand-cast roles for each project
based on
what I know of
the actors' experience/voice type. Ensemble parts
will shift over
time- someone who in the ensemble for one reading
may very well take
a leading role in another reading. Keep in mind
that not all actors will be used for every reading - and
the better
I know
you and
your work, the more likely you'll be used.
To Submit: Please send your headshot & resume,
as well as links to vocal demos, to erin@erincronican.com and
I’ll
add you to the "ACTOR-OWN" mailing list.
Please include:
• A headshot/resume
• Your voice part/vocal range
• A link to vocal demos (if you have
them- or you may email mp3s)
• Your top 5
musicals/roles that you are dying to play
• The
top 5 musicals you love so much that even an ensemble role
sounds amazing
• If you have scores/librettos
of shows that we might use in future
readings.
Thanks for your interest - I am
really excited and hope you'll come on board!
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